John Byrne Draws...

Spider-Man commission by John Byrne. 2009.

Spider-Man commission by John Byrne. 2009.

Wonder Woman #125, page 2 by John Byrne. 1997.

Wonder Woman #125, page 2 by John Byrne. 1997.

Hulk montage commission by John Byrne. 2007.

Hulk montage commission by John Byrne. 2007.

Trio #2 alternate cover by John Byrne & Tom Palmer. 2012.

Trio #2 alternate cover by John Byrne & Tom Palmer. 2012.

Galactus commission by John Byrne. 2009.

Galactus commission by John Byrne. 2009.

Iron Fist #15, page 17 by John Byrne & Dan Green. 1977.

Iron Fist #15, page 17 by John Byrne & Dan Green. 1977.

Avengers West Coast #57, page 12 by John Byrne & Paul Ryan....

Avengers West Coast #57, page 12 by John Byrne & Paul Ryan. 1990.

Silent Knight, Black Knight & Shining Knight commission by...

Silent Knight, Black Knight & Shining Knight commission by John Byrne. 2009.

Fantastic Four #266 cover by John Byrne. 1984.

Fantastic Four #266 cover by John Byrne. 1984.

Johnny Quick of the Crime Syndicate commission by John Byrne....

Johnny Quick of the Crime Syndicate commission by John Byrne. 2010.

Superwoman of the Crime Syndicate commission by John Byrne....

Superwoman of the Crime Syndicate commission by John Byrne. 2010.

Ultraman of the Crime Syndicate commission by John Byrne. 2010.

Ultraman of the Crime Syndicate commission by John Byrne. 2010.

Owlman of the Crime Syndicate commission by John Byrne. 2010.

Owlman of the Crime Syndicate commission by John Byrne. 2010.

The cover and table of contents spread for John Byrne's...

The cover and table of contents spread for John Byrne's Fantastic Four Artist's Edition. Out June 26 from IDW.

Check Randy Dahlk's blog for more of his great designs. 

Retro Randy

Power Ring of the Crime Syndicate commission by John Byrne....

Power Ring of the Crime Syndicate commission by John Byrne. 2010.

kellysue: I've got three things I've got to get turned in...

kellysue:

I've got three things I've got to get turned in today, two kids to get fed and dressed and a bag to pack and a flight to catch, so I can't respond to this the way I'd like, but I'm putting it here so I don't forget.  

I also need to let my temper subside a bit.  If I were to reply right now I'd resort to name-calling and insults and we all know there's no ground to be gained there. 

Instead, when I'm not shaking anymore, I'll recount my career trajectory AGAIN.  [Magazine writer/research assistant—>comic reviewer—>7 years adapting manga into English—>anthology shorts—>co-writing gigs—>one-shots—>minis—->ongoings]  

Maybe I'll get Alejandro Arbona to attest—AGAIN!—that I was blind-submitted for my first gig at Marvel.  I'll offer that if you're looking for Men to Credit for My Career, you should look first to Neil Gaiman, Warren Ellis, Peter Rose, Steve Niles and Jamie Rich — all of whom were responsible for making introductions or getting me chances to submit my work well before Matt Fraction had any pull in the industry.  (I'll also state in no uncertain terms that I wasn't sleeping with any of those men, because I know, dear Anon, that is your next assumption.)  Or Brian Bendis, who had championed my work in a way I will never be able to adequately thank him for.  (Ditto Steve Wacker.)  

(Also not sleeping with Brian or Steve, just so we're clear.)

Maybe I'll ponder why it isn't Fraction who's considered to have benefited from nepotism.  After all, more than 10 years ago now, Matt Fraction was my plus one to Joe Quesada's 40th birthday party and it was me who sent copies of Last of the Independents to Joe and Axel.  I mean, clearly, it was those gestures that got Fraction his career — certainly not the merit of his work, right? I mean, come on — those Hawkeye Eisner noms are part mine, right? 

(I can't imagine how sick Fraction must be of hearing me tell that story. But I bet it's not half as sick of it as I am.)

(The first person I met in the industry was Wil Rosado. Through him, the first editors I met were Andy Ball, who's since moved on, and Joey Cavalieri. Just in case anybody wants to make a chart. This would be… maybe 4 years before I met Fraction, Gillen, Ellis, McKelvie et al on the WEF.) 

Okay, deep breath.  

Bendis is going to tell me that I shouldn't acknowledge this, that I'm feeling trolls, but here's the pickle: people deny that this happens.  We're told that the insults to our dignity working women face are in our imagination, that it's a thing of sexy Mad Men past.  It's WOMEN who make this a thing, right?  (Hysterical, don't you know.)  We're to the point where I meet young women who won't identify as feminists because the struggle is over and it's only a thing if you make it one. 

Bullshit. 

It's not a natural assumption to leap to the conclusion that I got my job because of my marriage.  It's the product of deeply-ingrained sexist thinking.  I can name for you a half a dozen men who did, in fact, get their first big two gigs because of who they knew and their dignity and their qualifications have never been called into question.  I'm lucky if I go a week.  

I was recently directed to a post on a snake pit of a message board (what was I thinking, even going to look?) by a man I'd known as long as I'd known my husband, a man I'd met at the same time—a man who had felt free to ask professional favors of me on multiple occasions—who was lamenting how "easily" I'd gotten to where I was because of Fraction. When friends of mine pointed him to my CV, he half-apologized because he had no idea.  Apparently he thought Marvel—a publicly-owned company—was in the habit of handing out gigs to freelancer's wives just for kicks.  Then he threw up the bit about it being a natural assumption. 

I would say simply 'fuck that guy' and chalk it up to his not being half as smart as he thinks he is, but here's the thing: 

That guy has daughters.  

For them, and for my daughter and for your daughter, I am going to occasionally shine a light on these things… even though it both enrages and embarrasses me.  

I don't know if it's the right call, but I know that 'ignore it and it'll go away' isn't working. 

I need to figure out a way to contain my outrage enough to talk about it in a way that doesn't attack, but invites dudes like Anon to rethink their 'natural assumptions' without setting myself up as an uppity bitch that they're invested in proving wrong.  

I… I clearly don't know how to do that right now.  But I'm going to figure it out.   

Later.

Right now, the kids need breakfast and my son has questions about the xenomorph that can't wait another second.  

I'm out. 

Being a John Byrne Tumblr, I never reblog things unrelated to John. With this exception. Something this important should be shared. I don't want my daughter having this issue when she grows up. Let's change it now so she won't have to.

Triple Helix #1 cover sneak peek by John Byrne. John had this to...

Triple Helix #1 cover sneak peek by John Byrne.

John had this to say on his forum.

Did all four covers this weekend, for the new superhero book thru IDW. This is the one that picks up where TRIO left off. Thought it might be fun to do a MARVEL UNIVERSE style spread, the four linking together.

First issue ships in October, I think. And, no, the title has not been announced yet.

There will also be "alternate" covers for the four issues, as per IDW's policy. Chris Ryall and I talked it over, and decided I should do them in the style of the single figure commissions — tho one will have two figures, since the team has five members — with no backgrounds, and the characters filling as much space as I can comfortably contrive.

Shhh, no one tell John that we already know it is called Triple Helix because it was announced a few weeks back in Bleeding Cool Magazine #4.

For my past Triple Helix stories, check these past entries here.

Marvel: The Lost Generation# 3 cover by John Byrne & Al...

Marvel: The Lost Generation# 3 cover by John Byrne & Al Milgrom. 2000.

Next Men Premiere Collection Vol. 3 cover by John Byrne. 2009.

Next Men Premiere Collection Vol. 3 cover by John Byrne. 2009.

Guardian commission by John Byrne. 2010.

Guardian commission by John Byrne. 2010.